Ⅰ. 개요
재료들이 ‘슈퍼’라는 이름을 달기 위해 선택하는 가장 보편적인 방법은 합금이다. 현재 가장 많이 사용되는 합금은 철기 시대부터 사용되고 있는 철계 합금이다. 물론 지금의 철계 합금과 철기 시대의 합금을 비교한다면 겉은 비슷할지 모르지만 성질면에서는 엄청난 차이가 있다. 그리고
mesh의 수이며 반드시 0이어야 한다.
-fully overlapping elements: 서로 완전히 겹치는 mesh의 수이며 반드시 0이어야 한다.
-maximum aspect ratio: 메쉬의 형상비(aspect ratio)의 최대치를 나타낸다.
-match percentage: 전체 메쉬에서 대향되는 메쉬의 매칭되는 정도를 나타내며, 퓨전 메쉬의 경우 약 85% 이상일 때, 유효한
Mesh (“IPG”)
- 2 Canadian Facilities
Steel & Aluminum Grating, Expanded Metal (“IPG”)
- 5 Canadian Facilities
- 6 U.S. Facilities
North America’s most DIVERSIFIED steel producer
Nucor 조직문화
수평적 조직 구조
계층을 간단하게 하여 신속하고 유연한 의사소통이 가능
직원들에게 업무에 대한 권한과 책임을 부여
metal fingernails and grey eyes, guilty
of brutally murdering more than fifty humans. He slams his
axe into the rock... Imagining its the Wardens head.
Working beside Ralph 124C41 are his two henchmen: SMITH EE17,
a wiry Android with slicked back hair, aluminum teeth, and
pincher claw hands.
And COBLENTZ HL2000, whose body is criss-crossed with baseball-
like seams where hes been sewn together af
Its magnified and deeply revealed. Flecks of green and yellow in a field of milky blue. Icy filaments surround the undulating center.
The eye is brown in a tiny screen. On the metallic surface below, the words VOIGHT-KAMPFF are finely etched. Theres a touch-light panel across the top and on the side of the screen, a dial that registers fluctuations of the iris.
The instrument is no bigger than a
metal of the wing.
CLOSEUP - Breast on metal.
CLOSEUP - Hard nipple and rivets.
CLOSEUP - WOMAN - CATHERINE
Early thirties, dark, short hair, stylish executive clothes. Her eyes are wide open but unfocussed. A hand grips her shoulder from behind. We follow the hand down behind Catherine and discover a man crouched behind her, kissing her back.
Catherine is standing on a low mechanics platform and
metal foot crushes the skull like china.
TILT UP, revealing a humanoid machine holding a massive battle rifle.
It looks like a CHROME SKELETON... a high-tech Death figure. It is the
endoskeleton of a Series 800 Terminator. Its glowing red eyes
compassionlessly sweep the dead terrain, hunting.
TERMINATOR 2 - Rev. 9/10/90 2
4 The SOUND of ROARING TURBINES. Searchlights blaze down as a 4
formation o
PLASTIC MAN
by
Larry and Andy Wachowski
March 17, 1995
FADE IN:
INT. CAGE
We are a lab mouse.
Our world is a cage; the laboratory beyond the wire mesh
has the sprawling limitlessness of a universe with dark
endless voids and immense technological instruments
gleaming with celestial light.
We can hear a WOMANS VOICE though we cant understand
what she is saying.
There are several other lab mice in
metal rise into the sky covering the view of the Las Vegas casinos and their signs.
Music in: J.S. Bach - St Matthew Passion.
Aces body comes flying in - extreme slow motion. His body twists and turns through the frame like a soul about to tumble into the flames of damnation.)
MAIN TITLE SEQUENCE.
INT. TANGIERS CASINO FLOOR - NIGHT
Vignette of ACE: through rippling flames, we move in on ACE ROT